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Interviews Work

‘Refugee’ Artist Nadya Talks “Fighting The Fucking Power”

nayda artwork

Anyone who knows me well knows it’s been a long-time ambition of mine to wife M.I.A – there aren’t enough artists, in my opinion, who are comfortable acting out the true definition of living outside of the box. That’s fine because Lord knows I can get down to some Justin Bieber if the mood strikes, but a breath of fresh air, especially when it’s delivered by a woman (girl power!) is always exciting.

Enter Nadya. The Swedish-born artist who originates from Iran recently released her debut solo single ‘Refugee’ and as you can tell by the title, it’s a pleasantly blunt burst to the eardrums.

I asked her a few questions for MTV’s The Wrap Up and thought I’d post some of the interview – you can peep here alongside the lyric video for ‘Refugee’. Let me know what you think of her!

Categories
Music Work

Review: Wireless Festival 2011

On the tube down to Hyde Park Corner, the excitement mounted as I thought of the acts I was yet to see. This year was different. For once, there was a strong presence of British artists and not just ones who were ‘fillers’ for the ‘real acts’ i.e – the American artists. British music has had an amazing time over the past few years, which has led to our own sound being spread and eventually accepted across the globe. Although the festivals first headliner was The Black Eyed Peas, I was more pumped to see Example and Plan B.

Fellow NXG team member Emma Knock and I arrived fashionably late, only picking up pace after my sister called me screeching “The queues here are ABSURD, Maz! Hurry.”

Arriving in somewhat of a fluster, the queue had completely vanished, so we walked straight in. Phew. It was my first time at Wireless and I was surprised to see how relaxed it was. Its location told me to expect pure mayhem, constant barging and other typically London mannerisms.

I was massively disappointed to see that we although we had dodged the queues, we had arrived towards the end of Example’s set. I managed to glimpse a regrettably small portion of his performance of Changed the Way You Kissed Me, which was electric. We also managed to have a little groove to Far East Movement’s performance of Like a G6, which was undoubtedly one of the best high energy performances of the Friday. Although I previously doubted their longevity as artists, I could not doubt their stage presence. We then went to explore the park, which was filled with food stalls and bars of extortionate prices. I instantly regretted not smuggling a bottle in my bag as I reluctantly purchased a plastic glass half filled with rosé for £4.

Emma and I then tottered along to the main stage to check out Tinie Tempah’s highly anticipated performance. This was our second time seeing the Plumstead born rapper, after initially seeing him at the Hammersmith Apollo earlier this year. I had expected that the Pass Out star would have perfected his performances with the amount of practise he’s been having. I was disappointed to say this was not the case.  I was taken aback when Tinie freestyled over several current pop chart instrumentals and the DJ set was exactly the same as when he has performed at the Apollo, several months ago. Was he playing it safe or was he simply lazy?  Who knows, but it did not impress me. The rest of the set lacked charisma and confidence, but was overall acceptable. First time Tinie Tempah attenders would have been more than satisfied with the set; perhaps I expected too much.

Dressed all in black, I was boiling. Emma had a spare white t-shirt, so after a change of clothes right in the middle of the park (“Rock n Roll behaviour – thus totally acceptable at a festival” Emma promised) we went to find some munch before the next set, David Guetta. We grabbed a tiny portion of chips for £3 to share and sat down on the eroded grass for supper. David’s set began earlier than I realised, so we hastily finished our humble meal and tried to get a good spot in the ‘rave tent’ which was dazzling with lights, confetti, occasional fireworks and unbearable body heat. We were unlucky in this pursuit (which suited me, I was hot and my new pink shoes had been trampled on enough) so we watched from a distance. With his large audience, I was surprised that he was not on the main stage, but the rave tent was perfectly suited for him; it was almost made for his vibe of music. Mass amounts of bodies grinded, swayed and jumped about to When Love Takes Over, Sexy Chick, I Gotta Feeling and many of his other dance floor fillers.

Restless, we moved along to witness the remainder of Plan B’s set on the main stage. Dressed in his signature black suit and tie, he looked, sounded and acted the part. His song choices had a slight alternative music/rock edge, which prompted me to question which genre his future album will reflect. Although I prefer Plan B’s urban sounds, it was clear that he knows what he can get away with in terms of diverse music and he also knows what he is comfortable with and it works for him. Witnessing his set was to see a true artist perform, one with as many layers as an onion.

Next up was the headliners, what most people were here to see. The Black Eyed Peas.

For the rest of my review, please go to the NXG website where the original article can be found: http://bit.ly/obZ1Ux

Categories
Interviews Music Work

Maz Meets Talib Kweli

Talib has been standing strong in the hip hop scene since 1998, when he and fellow rap genius Mos Def released the classic album Mos Def and Talib Kweli Are Black Star. Since then, the Hip Hop general has released four albums, worked with the legend Mary J Blige and with Hip Hop’s favourite rapper, Kanye West. I chat to Talib to find out what he has planned for us next.

Hey Talib. What have you been up to recently?

My focus at the moment has been all about Gutter Rainbows. I am about to work on the album Prisoner of Conscious for Blacksmith. I am excited about the group Strong Arm Steady’s new album, Arms and Hammers. have also been working on Jean Grae’s Cake or Death LP and some more Idle Warship material with Res.

You have a loyal but exclusive UK fan base. Do you plan to try and break the mainstream UK market?

I do concerts in the UK at least twice a year. I sold out at two concerts last year; I did Roundhouse in Camden in October. I am not sure when the next one is, but I will keep you guys in the loop for sure!

You have worked with major artists, such as Kanye West. How was that experience?

I happened to meet Kanye when he came to my recording sessions looking for Mos Def. Back then, he was just a producer making beats for everyone. Nobody knew he had it in him to rap. It was great to work with him, we had and we still do have a lot of mutual respect for one another.

You also worked with Mary J Blige. How was that?

Mary was one of the most gracious, professional artist’s I have ever worked with. I would love to work with her again.

You quite a socially conscious rapper. What influenced you to take that alternative path?

The music I make is not alternative hip hop, it is REAL hip hop. All that other stuff they play on the radio is the alternative…

 What advice would you give to up and coming rappers?

Ignore the industry and create your own legend.